Takahiro Yamauchi x Maiko Okada – Challenging the Global Market with a Creator First Strategy
We have established Studio Kurm, our third animation studio within the CyberAgent Group. Maiko Okada, a renowned producer, leads this new venture. Why did she choose to partner with us for this new challenge? We discuss our shared vision for new value creation.
Together with President Yamauchi, we delve into the philosophy of Creator First and the mission to build a sustainable ecosystem for global reach. We look ten years down the road, mapping out a future where innovation redefines how anime is made.
Contents
Connecting Anime to the Future: Our Challenges Now
The Core Strategy: Uncompromising Creator First
Protecting Creators and Giving Back to Anime: Their Shared Roots
Protecting Japanese Anime Culture and Connecting it to the Future
Connecting Anime to the Future: Our Challenges Now
― From a management perspective, what is the significance of establishing Studio Kurm now?
Yamauchi: Entering the anime industry is not a short-term endeavor. You can't just step in and expect results. We spent the last decade laying the groundwork—through funding and streaming anime on ABEMA—carefully building relationships with the industry. With that foundation set, we established the Anime & IP Division in 2024 to pivot fully toward creating global hit IPs. We now have the infrastructure to leverage ABEMA, games, and merchandise to their fullest potential.
In this ecosystem, creating our own IPs as the source of content is crucial. Having Okada-san and her team join us is a significant driver in achieving our goal of a fully integrated production system. She can pour creator passion into the final work.
― What was the deciding factor for you to join CyberAgent, Okada-san?
Okada: I did have the hunger for new expressions and global-standard quality. To protect the anime culture we love, I believe that the production system itself needs to evolve.
Then I read an interview with Yamauchi-san. His stance resonated with me. The anime industry has a long history and unique customs. He didn't trample on them; he respected them and sought to build relationships over time. I felt I could trust that approach.
When we actually met, I felt the speed and heat unique to the IT industry. My intuition said, "Here, we can try something new." That was the moment I decided to jump in.
― What kind of new challenges are you planning?
Okada: Beyond creating good works, we aim to challenge larger titles and pursue expression that breaks the mold. Specifically, we need to refine 3D and effects processing to elevate the visual quality and build a team that can fuse technology with hand-drawn art to reach a new tier of visual experience.
Yamauchi: Okada-san has produced numerous masterpieces, but she’s not one to boast. She’s rather quiet, but inside, she burns with intensity. We’re almost the same age and from the same hometown, so I felt a connection from day one.
The Core Strategy: Uncompromising Creator First
― How do you manage such a diverse mix of talent?
Yamauchi: Our team is growing, and we’re becoming a melting pot where the speed of an internet company meets the craftsmanship of the anime industry.
I keep saying we're in the startup phase and our core strategy is Creator First. We believe the passion and creativity of creators are the only key to creating global hit IPs. Our priority is simple: build an environment where creators can be their best. We are throwing every resource and know-how we have to back them up.
Okada: We receive extensive support for back-office operations, especially in HR and organization building. Since anime production involves both creation and management, this support is invaluable. We were amazed by the speed during the studio search. The team found potential locations very quickly.I simply requested a space where creators could refresh, and the team perfectly realized this vision. The new studio opens in March. Having a partner who runs at the same pace and with the same passion, even for things like office design, is incredibly reassuring.
Yamauchi: Beyond the physical environment, we believe our strengths in technology and marketing serve as powerful tools to support creators. Long working hours and low wages have long been issues in the anime industry. We are addressing these by leveraging our capabilities to drive the digital transformation (DX) of production processes.
For instance, we are reviewing inefficient processes to reduce workload while maintaining quality. The resources saved are redirected to fair pay to creators and appropriate working hours, aiming to create an environment where they can focus on creation and balance their lives.
Okada: We've begun working with in-house engineers to shorten production workflows. The greatest benefit is that efficiency gains from tools enable production staff to spend more time directly engaging with creators.Also, the enthusiasm and potential of our engineers are incredibly high. Having technical experts nearby for consultation is a unique strength of this environment.
― You are using technology to make time and value. What do you provide in terms of marketing?
Yamauchi: ABEMA, now in its 10th year, maintains over 30 million WAU, with the anime channels as a pillar. In addition to its free-to-watch model, we maximize the value of our works through global expansion via CyberAgent America and other branches.
If the work is good, the world will watch. Because quality travels. Our job is to take Japan’s unique strengths, work hand in hand with original authors, and maximize the creator’s vision, delivering it with our marketing muscle. That’s how we do.
― Okada-san, you mentioned you'd like responsibility for delivery, not just production.
Okada: Yes. With hundreds of anime streamed each season, the market is flooded. Even when creators dedicate their souls to the work, it can get lost in the sea of information. We have long felt the frustration of not reaching the audience.
If technology and marketing can help our works reach further and return value, that is exactly what we've been seeking. We aim to create a new model of anime production by tuning ourselves to the times.
Protecting Creators and Giving Back to Anime: Their Shared Roots
― What are the origins of your passion for anime?
Okada: In my childhood, I wanted to be a voice actor, admiring Miina Tominaga. However, recognizing that I was not comfortable speaking in public, I focused on my love of drawing, which led me to this path.
I was particularly inspired by the making-of footage of Princess Mononoke. Seeing the behind-the-scenes process of how anime is created left a deep impact on me.
― I see. So why did you choose to be a production member instead of an animator?
Okada: After entering the industry, I witnessed talented friends leaving due to low payment. It was very frustrating to see. Determined to change this structure, I learned that becoming a producer would allow me to control budgets and schedules. "If I run the production, I can protect the creators." That’s why I’m here as a producer.
― That resolve is powerful.
What drives you, Yamauchi-san?
Yamauchi: Growing up in a single-parent household, I spent a lot of time alone and watched a lot of anime. Anime and games filled that void and enriched my emotions. Especially, Dragon Ball stands out. My room was just a shrine to Dragon Ball (laughs).
In short, entertainment saved me. Therefore, I want to give back to the creators who made it. My driving force is to expand this wonderful culture and deliver it to the world, ensuring its future growth.
Protecting Japanese Anime Culture and Connecting it to the Future
― What is the appeal of joining CyberAgent, and who are you looking for?
Yamauchi: It’s a startup environment. The decision-making is lightning fast. No seniority. If you’re good, you lead. It doesn't matter how old you are.
We encourage bold experiments with new tech and ideas. If you want to rebuild the process of how anime is made, this is the place.
Okada: Thanks to the support from Yamauchi-san and the team, we can show candidates that we’re serious. We offer stability and ambition.
Recently, young "gems" with exceptional talent have emerged via social media, regardless of age. Those digital natives can animate entire scenes on an iPad. We want to find that new talent early and help them grow.
― What is your future outlook?
Yamauchi: If we stick to Creator First and make great things, the world will watch. The global market is wide open. There has never been a more exciting time to be in this business.The key is creating an environment where creators can work easily and take on challenges. If we achieve this, Japanese anime can compete more effectively worldwide. Let's use our assets to create works that reach the world.
Okada: I am excited. I entered this industry fulfilling my childhood dream. I respect the culture, but to protect it, we have to evolve. We’ll take the new currents, build a sustainable system, and lift Japanese anime to the next stage. We have the best team to do it. Step by step, we’ll get there.
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